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Hamari Yaad Aayegi

Snehal Bhatkar, a lesser known but talented composer. Although he was active right from the late 40s to the early 90s, his output in Hindi and Marathi films was limited. Let’s remember the melodious body of work he has left behind for us to savour.

I would like to thank Arunkumar Deshmukh for putting together this concise write-up on his life and work.
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THE GENTLEMAN MAESTRO: SNEHAL BHATKARsnehal
by Arunkumar Deshmukh

White full shirt, ironed white pyjama, spectacles with big powerful lenses and the trademark white Gandhi Topi… He could easily be mistaken for a ‘Pandharpur Warkari’ (a regular pilgrim to Pandharpur) or a member of a ‘Bhajani Mandali’ or simply a middle class ‘Marathi Manoos’. Such was the appearance of one of Hindi filmdom’s talented, yet not so famous, music maestro VASUDEV GANGARAM BHATKAR or Snehal Bhatkar, as we all know him.

In Hindi film music field there were some talented composers like Ghulam Mohd, Mohd. Shafi, Iqbal Qureshi, Daan singh, C.Arjun, Ramlal, Sardar Malik, Ajit Merchant, Jamal Sen, Dattaram, Ganesh, etc. who could never reach the peaks of their careers. They really deserved success and fame, but luck did not favour them. Big banners never approached them and eventually the losers were the music lovers in India. These composers did not know, perhaps, how to sell their art. May be they never wanted to enslave music to gain name and fame, instead they preferred to settle for genuine service to music!

Snehal Bhatkar was one such composer. The maxim of simple living and high thinking never worked in this Mayanagari, but he had no regrets. Till the very end he was contented with whatever God gave him, and whatever name and success he achieved.

He was born into and grew up in a family that was surrounded by traditional devotional music all around. In the lower middle class, the people had their entertainments in singing Bhajans and doing Keertans in Temples en masse.

Vasudev G. Bhatkar was born on 17-7-1919. He knew at least 100 bhajans by heart by the time he was in his 10th class. He was invited to sing in Ganesh Melas and other celebrations and soon became a well-known name in the locality. Because of his singing and skills in playing Harmonium and other instruments, he got a job with H.M.V. in Bombay. Here he used to give accompaniment on Harmonium to big classical singers. At the same time, taking cognizance of his singing skills, many Marathi bhavgeets and bhajans were recorded by HMV. Some of them are popular in Maharashtra even today.

All this while, Bhatkar was looking for opportunity to compose in films. Sudhir Phadke who too served in HMV and recorded some songs from 1943 to 1945, joined hands with Bhatkar and made a pair-Vasudev-Sudhir. In 1946, they got a film of Baburao Painter – Rukmini Swayamvar – for music direction. The problem was that due to his service in HMV, he could not openly work outside. Hence he only gave his name as Vasudev. After this film, the pair separated and Phadke went to give music to films like Gokul, Aagey Badho, etc. Due to financial constraints Bhatkar was unable to leave his job with HMV.

In 1941, Bhatkar had come to know Kidar Sharma while recording songs for his film Chitralekha, which he was making for Ranjit Studios. Sharma had just come from Calcutta to establish himself in Bombay. He had a knack of identifying talents. He first gave a chance to Bhatkar to sing some songs with Leela Sawant in his film Kaliyan (1944). After Rukmini Swayamvar, Kidar Sharma gave him his first break as an independent composer in his Neelkamal (1947), where Kidar Sharma launched Raj Kapoor and Madhubala in adult roles as the leading pair. Here Bhatkar used the name B. Vasudev. In the subsequent years Bhatkar used different names for different films like V. G Bhatkar in Sant Tukram (1948), Sati Ahalya (1949) and Pagle (1950), and Snehal in Suhaag Raat (1948) and Thes (1949). After doing Thes and Sati Ahalya, Bhatkar resigned from HMV.

Snehal Bhatkar and Kidar Sharma were very good friends. Kidar gave him Neki aur Badi in 1949. Meanwhile, Kidar Sharma met Roshan Lal Nagrath in some musical event. Sharma was terribly impressed with Roshan and wanted to give him a break in his film. At that point of time, Kidar had just started work on ‘Neki aur Badi’. He had a heart to heart talk with Bhatkar and Bhatkar gladly left the film for Roshan. Thus Roshan got his break with Neki aur Badi (1949). Roshan never forgot Bhatkar’s magnanimity in his life and always respected Bhatkar. In return Kidar Sharma gave Hamari Beti (1950) to Bhatkar. As he was a free bird now, Bhatkar started using the name SNEHAL BHATKAR from this film. Snehal was the short form of Snehalata, his daughter.

Snehal Bhatkar did many Marathi films and recorded many bhajans in Marathi, which are ever popular. He did 28 films in Hindi (including one unreleased film in the 50s) and 12 films in Marathi. Out of 27 released Hindi films, 9 were made by Kidar Sharma.

The song which made Mubarak Begum and Bhatkar famous in India was ‘Kabhi Tanhayion Mein, Hamari Yaad Aayegi’ from the film Hamari Yaad Aayegi (1961) (This film was was originally named Jawan Muhabbat). Actually this song was to be done by Lata Mangeshkar. Lata had already recorded two songs for this film. Due to her extremely busy schedule she was unable to do this song, so she suggested the name of Asha Bhosle, but , already upset over Lata’s refusal, Kidar Sharma opted for Mubarak Begum and the rest, as they say, is History. She imbued a unique character to this song with her special voice.

After 1960, the musical scene in India was undergoing drastic changes and there was no space for composers like Bhatkar, who used minimum orchestra and dwelt upon melody. His films came in long intervals. Even Kidar Sharma left him after Fariyad (1964) only to return in Pehla Qadam (1981). Finally Bhatkar did his last Hindi film Sahme Hue Sitare (1994),which featured his son Ramesh Bhatkar, who was already a popular hero in Marathi film, stage and TV. This obscure film did nothing good to Bhatkar.

After retirement Bhatkar devoted his time for children’s welfare and his original love-Bhajan Mandali singing.

Snehal or Vasudev Gangaram Bhatkar, together with cousin Devji Bhatkar and Panchambuwa Pandurang Shivalkar, was the founder member of ‘Vishwambhar Prasadik Bhajan Mandal’ in Dadar. It is still in operation after 50 years, with new set of singers. Bhatkar was very kind hearted. Every year, during Ganapati festival he used to visit his ancestral village ‘Bhate’ in Ratnagiri district and participate in singing bhajans.

Lata, Talat and Mukesh were his favourite singers. Although Talat has not sung many songs for him, his song “Zindagi Kis Mod Pe Laayee Hamein” from Diwali Ki Raat (1956) was very popular. When rehearsals for this song were being done, Bhatkar had used only Tabla and Sitar for the practice session. The producer who chanced upon this rehearsal was so much impressed with this that he insisted recording the song only with minimum instruments. So, this song has only Tabla, Sitar and another instrument for accompaniment.

Though there were many melodious songs composed by Bhatkar like, Khusro’s ‘Lakhi Babul More Kaahe Ko Deenha Bides Re’ sung soulfully by Mukesh in Suhaag Raat (1948); ‘Ro-oge Pachhtaoge’ by Mukesh and Rajkumari in Thes (1949); Lata’s ‘Chanda Tumko Laaj Aa Aayee’ from Bhola Shankar (1951); Suman Kalyanpur’s ‘Haal-e-dil Unko Sunana Tha’- Fariyad (19)64, except Kidar Sharma no other big banner producer opted for Snehal Bhatkar. May be his compositions were not so simple for common man to hum or sing, although they were quality songs.

Despite several melodious songs Bhatkar was never counted amongst the first line composers. Kidar Sharma returned to him in 1980, but by that time Snehal Bhatkar was already on a descending track.

SNEHAL BHATKAR, a talented but sadly not much applauded composer, died peacefully on 29-5-2007 at his Dadar home.
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FILMOGRAPHY
Hindi Films (as a composer):
1. Rukmini Swayamwar (1946) – Bilingual, with Sudhir Phadke as Vasudev-Sudhir
2. Neel Kamal (1947) – as B. Vasudev
3. Sant Tukaram (1948) – as V. G Bhatkar
4. Suhaag Raat (1948) – as Snehal
5. Sati Ahalya (1949) – as V. G Bhatkar
6. Thes (1949) – as Snehal
7. Hamaari Beti (1950)
8. Pagle (1950) – as V. G Bhatkar
9. Bhola Shankar (1951)
10. Nand Kishore (1951)
11. Gunaah (1953)
12. Aaj Ki Baat (1955)
13. Bindiya (1955)
14. Daaku (1955)
15. Diwaali Ki Raat (1956)
16. Jaldeep (1956)
17. Haria (1958)
18. Scout Camp (1959)
19. Ganga Ki Lehren (1950s, Unreleased)
20. Chhabeeli (1960)
21. Guru Bhakti (1960)
22. Hamaari Yaad Aayegi (1961)
23. Deepak (1963)
24. Fariyaad (1964)
25. Pehla Kadam (1981)
26. Khuda Hafiz (1983)
27. Pyaase Nain (1989)
28. Sehme Hue Sitare (1994)
Hindi Films (as a singer):
1. Kaliyan (1944)
2. Lady Doctor (1944)
3. Neelkamal (1947)
4. Sant Tukaram (1948)
5. Rangeela Rajasthan (1949)
6. Sangeeta (1950)
7. Bhola Shankar (1951)
8. Harihar Bhakti (1956)

Marathi Films (as a composer):
1. Rukmini Swayamwar (1946)
2. Maya Machhindra (1951)
3. Nand Kishore (1951)
4. Shri Gurudev Dutt (1952)
5. Sant Bahinabai (1953)
6. Tuka Zhalase Kalas (1964)
7. Ya Malak (1964)
8. Chimukla Pahuna (1967)
9. Annapurna (1968)
10. Maanala Tar Dev (1970)
11. Bahklela Brahmachari (1971)
12. Sant Namdeo (1995)

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REFERENCES AND ACKNOWLEDGEMENTS
1. Beete Hue Din (http://beetehuedin.blogspot.in/2012/08/shraddhanjali-shri-dattatreya.html)
2. Cineplot (http://cineplot.com/encyclopedia/snehal-bhatkar/)
3. geetadutt.com
4. Discussions on hamaraforum.com
5. Wo Bhooli Dastaan by Subhashchandra Jadhav
6. Rahen Na Rahen Hum by Shri Shantaram Mankikar
7. Dhunon Ki Yatra by Pankaj Raag
8. Marathi article on Snehal Bhatkar by Issack Mujawar
9. Listener’s Bulletins
10. Hindi Film Geetkosh
11. Interview of Devji Bhatkar
12. My notes maintained for several decades
13. I am thankful to noted writer and film historian Shri Harish Raghuvanshi ji for promptly answering some of my queries

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Posted by on September 2, 2013 in Articles, info and facts

 

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snehal bhatkar

latasnehal bhatkar

 

Do you know ‘humari yaad aaegi was originally tittled as ‘Jawaan Mohabbat’.

Soucre : geeta dutt.com #snehal article

 
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Posted by on February 21, 2013 in Articles, info and facts

 

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SNEHAL BHATKAR

FILM YEAR LYRICS SINGERS SONG INFO)
AAJ KI BAAT 1955 Hasrat jaipuri LATA MANGESHKAR Mohabbat Mein Kahin do dil hase.nge …Woh chali gham ki hawa KEDAR SHARMA, RAJKUMARI, BHATKAR WAS INDEED A GREAT TEAM
AAJ KI BAAT 1955 Raj Baldev Raj LATA MANGESHKAR Kabhi aap hanse kabhi nain hase
AAJ KI BAAT 1955 Hasrat jaipuri TALAT MEHMOOD muhabbat bane hai.n vo din suhaane
AAJ KI BAAT 1955 Raj Baldev Raj LATA MANGESHKAR Aaj Ki Raat Dil Mein Na Rakhna Dil Ki Baat bhatkar had a special regard for Rajkumari ji and it shows in his songs since his debut days!
AAJ KI BAAT 1955 TALAT MEHMOOD chod na apni aas ko
AAJ KI BAAT 1955 kaif irfani asha bhosle meri nagri mein kyon aaya kya kaam re
AAJ KI BAAT 1955 TALAT MEHMOOD pyar ki nazron se unko dekhta jata hai dil
* Bhola Shankar 1951 Bharat Vyas RAJKUMARI Mein Hirani Si Ban Ban BAN Phiru Chanak Chanak Chan Bole Door Des Se Aaya–Harihar Bhakti(1956)-WAS SUNG BY -Snehal Bhatkar.MUSIC WAS by K.Dutta.lyrics sp kalla
Bhola shankar 1951 Bharat Vyas LATA MANGESHKAR Chanda Tujhko laaj na aaye
Bhola shankar 1951  Bharat Vyas LATA MANGESHKAR main albeli naar KAR SOLAH SINGAR do you know ‘humari yaad aaegi was originally tittled as ‘Jawaan Mohabbat’. Soucre : geeta dutt.com #snehal article
Bhola shankar 1951 Bharat Vyas chorous chham chhama chham chham chhama chham
Bhola shankar 1951 Bharat Vyas chorous shankar kaanta na lage kankar
Bhola shankar 1951 Bharat Vyas snehal bhatkar , rajkumri Dim dim dim Chandr Bhalnath Bhole Bhasam
Bhola shankar 1951 Bharat Vyas RAJKUMARI dekho dekho kuhoo kuhoo kaali kaali koyal
Bhola shankar 1951 Bharat Vyas snehal bhatkar , rajkumri CHALOGE KYA SANG
Bhola shankar 1951 Bharat Vyas snehal bhatkar , rajkumri jai jai maata parvati jai he kripa nidhan
BINDIYA 1955 kamal Aa ja tujhe ek baar main sine se laga lu
BINDIYA 1955 asha bhosle Gudiya hamari hau jadu ki pudiya
BINDIYA 1955 Madhubala zaveri Chupke chupke koi mere sapnome aane lga
BINDIYA 1955 Ho tuzko mubarak ab teri takdir
BINDIYA 1955 asha bhosle and rajkumRI Ho tuzko mubarak ab teri takdir
BINDIYA 1955 S.H BIHARI TALAT MEHMOOD Hai Dil Main Milan ki Aas Suhag Raat was (1948) Geeta Bali’s First Film.music was snehal’s
BINDIYA 1955 asha bhosle jisko diya hai dil main
BINDIYA 1955 Majboor wafa ke hatho se
BINDIYA 1955 TALAT MEHMOOD meri duniya hai tu mere arman hai tu
BINDIYA 1955 kamal Tere julm ki yah aabad ghar aaj
BINDIYA 1955 Bharat Vyas asha bhosle yeh bahar bar bar keh rahi hai tujhe pukaar
chabili 1960 S.RATAN nutan Aye Mere Humsafar snehal bhatkar : Aliases: B. Vasudev, V. G. Bhatkar; Real name: Vasudev Govind. Bhatkar
chabili 1960 S.RATAN NUTAN Aye Babu HEY BABA BA BU
chabili 1960 S Ratan hemant kumar LAHRON PE LAHER ULFAT HAI JAWAN
chabili 1960 S.RATAN geeta dutt and nutan Yaaro Kisi Se Na Kahena
chabili 1960 S.RATAN nutan ,sudha malhotra Milaa le haath le ban ga_ii baat
chabili 1960 S Ratan hemant kumar and nutan LAHRON PE LAHER ULFAT HAI JAWAN
chabili 1960 S.RATAN o my darling o my sweety
chabili 1960 S.RATAN nutan Aye Mere Humsafar chedo na aise nazar snehal bhatkar : Aliases: B. Vasudev, V. G. Bhatkar; Real name: Vasudev Govind. Bhatkar
CHIMUKALA PAHUNA (Marathi ) 1967
DEEPAK 1963
Diwali Ki Raat 1956 Naqsh Lalpuri s.balbir,talat mehmood dosto har haal mein yeh pet
Diwali Ki Raat 1956 pt. phani asha bhosle diwaali diwaali ke deep
Diwali Ki Raat 1956 Madhukar Rajasthani talat mehmood and Madhubala Zaveri kahane ko bahut kuchh kahanaa thaa
Diwali Ki Raat 1956  Madhukar Rajasthani talat mehmood kahaa.N merii ma.nzil kahaa.N merii raahe.n
Diwali Ki Raat 1956 Naqsh Lalpuri Talat mehmood ye khushi ka sama zindagi hai jawan
Diwali Ki Raat 1956 pt. phani ASHA BHOSLE, TALAT, MOTI SAGAR PYAR KA mara PYAR KARE YA ,DOOB MARE
Diwali Ki Raat 1956 pt. phani asha bhosle jeewan veena ko jab chede
Diwali Ki Raat 1956 Madhukar Rajasthani Mahendra kapoor tere dar ki bheekh maangi hai daata
Diwali Ki Raat 1956 pt. phani asha bhosle toot gaya dil ab kya gaaun
Diwali Ki Raat 1956 Naqsh Lalpuri talat mehmood zindagi kis mod par layi mujhe
Daku 1955 M.L khanna or manohar khanna Mukesh and asha Dil Ke Badle Dil Loongi pyar ke badle pyar shashi kalla and shammi kapoor
Daku 1955 M.L khanna or manohar khanna asha bhosle Lagi Lagi Chot Dil Par,DIL ka kya qasor hai shashi kalla and shammi kapoor
Daku 1955 kaif bhopali asha bhosle pyar kehte hain …Sangdil Ban Gaya Bewafa Ho Gaya shashi kalla and shammi kapoor
Daku 1955 kaif irfani shamshad begum Tu Hai Nau Do Gyarah shashi kalla
Daku 1955 kaif irfani asha bhosle and anwar hussain Mera Resham Ka Roomal Main
Daku 1955 M.L khanna or manohar khanna asha bhosle Kismat Dikhati Hai Kaise Kaise Rang
Daku 1955 kaif irfani shamshad begum kare biwi mohobat ki
Fariyaad 1964 Kedar Sharma mubarak begum ,Mahendra kapoor delhi se do behne aayin
Fariyaad 1964 Kedar Sharma Mohd Rafi, Suman Kalyanpur aapne huzur mujhko kya se kya bna diya…Meharbani Meharbani Ashok Sharma & Zeb Rehman
Fariyaad 1964 Kedar Sharma MAHENDRA KAPOOR, SUMAN WO DEKHO DEKHA DEKH RHA THA PAPIHA Ashok Sharma & Zeb Rehman
Fariyaad 1964 mohd rafi, suman TUNE teri nazar qaafir bna diya
Fariyaad 1964 KEDAR SHARMA SUMAN KALYANPUR HALE DIL UNKO SUNANA THA ZEB REHMAN
fariyad 1964 Kedar Sharma mubarak begum ,suman kalyanpur bharat ke naujawano bharat ke kaam
GUNAH (?) WAS it roshan’s or his compostion 1953 KEDAR SHARMA TALAT Mere Khayalon Mein Aake Gale Laga Ja Mujhe
GUNAH 1953 kedar sharma rajkumari lat uljhi hai suljha de more baalma
GUNAH 1953 kedar sharma rajkumari chhithi to teri zalm hum padh nhi pate
GUNAH 1953 kedar sharma lata mangeshkar hum par jadu dal gye o julmi teer kalejwa pe
GUNAH 1953 kedar sharma rajkumari na main dil ki baat karoongi
GUNAH 1953 kedar sharma lata mangeshkar Tu ishq se dar bemaut na mar ke
GURU BHAKTI (Gujarati – ) 1960
HARIYA 1958
Hamari Beti 1950 Randheer LATA MANGESHKAR pehli mulaqat mein haath leke hath mein
Hamari Beti 1950 Randheer LATA MANGESHKAR mere sapne bane aaj apne
Hamari Beti 1950 Randheer mukesh and geeta Kis ne yeh kis ne chhede taar
Hamari Beti 1950 Randheer mukesh and geeta berukhi bas ho chuki mann jaiye
Hamari Beti 1950 pt. phani mukesh mohabat bhi jhoothi zamana bhi jhootha
Hamari Beti 1950 pt. phani LATA MANGESHKAR dil ka milna mushkil hai
Hamari Beti 1950 pt. phani mukesh dil ka milna mushkil hai
Hamari Beti 1950 NUTAN Tujhe kaisa dulha bhAYE RE.
Hamari Beti 1950 kaani kubdi ek ustaani
Hamari yaad aayegi 1964 Kedar Nath Sharma MUBARAK BEGUM ,SUMAN KALYANPUR KABHI TO POORA TOL PRAANI tanuja &?
Hamari yaad aayegi 1961 Kedar Nath Sharma suman kalyanpur DIL TOD KE JANA HAI phir kal hee chale tanuja
HAMARI YAAD AYEGI 1961 Kidar Sharma mukesh and lata Sochtahun yeh kya kiya maine,kyon ye sar dard
HAMARI YAAD AYEGI 1961 Kidar Sharma mukesh aankhon mein teri yaad liye ja raha hun main ashok sharma s/o producer/director Kedar Sharma
HAMARI YAAD AYEGI 1961 Kidar Sharma mukesh and lata Jawan mohabat haseen ankhon mein ashok sharma s/o producer/director Kedar Sharma
HAMARI YAAD AYEGI 1961 Kedar Nath Sharma MUBARAK BEGUM KABHI TANHAYON MAIN YUN tanuja &Anand Kumar {son of kedar nath sharma}
HAMARI YAAD AYEGI 1961 Kidar Sharma mukesh,Lata & Mubarak Begum Farishton ki nagri mein main
HAMARI YAAD AYEGI 1961 Kidar Sharma RAFI, SUMAN KALYANPUR chail chabila chokra mujhe le gya nadiya paar
Hamari yaad ayegi 1961 Kidar Sharma mukesh kanhaiya chala
HAMARI YAAD AYEGI 1961 Kidar Sharma suman kalyanpur jo dil qadmon pe dil todh ke jaana hai
jaldeep 1956 Himmat rai sharma preeti bala dube choota sa pappu hoon jaon kahan
jaldeep 1956 Rajkumari Dekho dekho panchhi –
jaldeep 1956 kaif irfani Tu apne mann ka deep jala
NAND KISHORE 1951 Narendra Sharma dim dim dim damroo baaje
NAND KISHORE 1951 Narendra Sharma pramodini patkar braj ka chitachor aaya
NAND KISHORE 1951 Narendra Sharma LATA MANGESHKAR NAINan MAIN BARSAT MANN MEIN KAJAL KArI RAAT
NAND KISHORE 1951 Narendra Sharma  lata mangeshkar Raadhaa Ke Man Kee Muraliyaa Pukaare’
NAND KISHORE 1951 Narendra Sharma Lata mangeshkar kal bhor bhaye hari  jaaye.nge
NAND KISHORE 1951 Narendra Sharma Lata mangeshkar baje badhayi aaj nand ke dwar
NAND KISHORE 1951 Narendra Sharma Lata mangeshkar Bajao bajao shyaam murli manohar bajao
NAND KISHORE 1951 Narendra Sharma chorous hilmil khelenge sargam ke sang
NAND KISHORE 1951 Narendra Sharma LATA MANGESHKAR and chorous jamuna jal shyam radha gori
Neel kamal 1947 kedar sharma RajKumari and HameedaBano Jawani Agar Hai
Neel kamal 1947 kedar sharma Rajkumari Bhool Jathe Hain
Neel kamal 1947 GEETA DUTT AND Rajkumari,MUKESH Aaankh jo dekhe hain dhoka khaaye
Neel kamal 1947 GEETA DUTT AND Rajkumari Bol bol  baalam bedardi
PEHLA KADAM 1981
Pagle Anjum Rahmani Jagirdar, Agha, Sherry kyuu.N shiqavaa kare.n kyuu.N aah bhare.n
Pagle Anjum Rahmani talat ,rajkumari taaro.n se ab chaa.Nd kii kuchh baat ho ga_ii
pyase nain 1989 kedar sharma suman kalyanpur and rafi Aao Awaaz Se Awaaz Milakar
Pehal Kadam
Rangeen Raaten
suhag raat 1948 kedar sharma geeta dutt and rajkumari Rhoom jhom matwale badal
suhag raat 1948 amir khusro mukesh LAKHI BABUL MERE  kaahi ko byahi
suhag raat 1948 kedar sharma geeta and rajkumari Kis Papi Sang Uljhi ankhiyan geeta baali .AS it was her first movie
suhag raat 1948 kedar sharma geeta and rajkumari Mere Dil Ki Dhadkano mein sakhi kaun aa
suhag raat 1948 kedar sharma geeta and rajkumari Baaji moree paayal
suhag raat 1948 kedar sharma shamshad begum Ho Tere Bina Meri Zindagani Kis Kaam Ki
suhag raat 1948 kedar sharma Rajkumar and mukesh Yeh Bura Kiya jo saaf saaf keh diya geeta bali and bharat bhushan
suhag raat 1948 kedar sharma rajkumari jaao Jaao Na Sataao
suhag raat 1948 kedar sharma rajkumar Chhod Chale Munh Mod Chale
Scout Camp 1959
Thhes 1949 kedar sharma mUKESH rut hai suhaanii baadal chhaa_e re
Thhes 1949 kedar sharma rafi ,mukesh baat to kuchh bhi nahin dil hai 
Thhes 1949 kedar sharma MUKESH bhagwaan jo tera bhi bhagwan koi hota –
Thhes 1949 kedar sharma MUKESH & RAJKUMARI Bolo bolo sajan SAJAN BOLO BOLO
Thhes 1949 kedar sharma MUKESH & RAJKUMARI chup chup ke teer chahle koi
Thhes 1949 kedar sharma rajkumari, shamshad dhak dhak dhadke dil mera
Thhes 1949 kedar sharma rajkumari hambhi asere ghm hain ab tumsekya chipana
Thhes 1949 kedar sharma MUKESH & RAJKUMARI rowohge pachhataaoge
 
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Posted by on January 1, 2013 in Uncategorized

 

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